One of the minor tragedies of the mid-twentieth-century American hegemony is that we listen to Glenn Gould, rather than to the European women who outshine him – Maria Tipo, and, here, the shimmering Marcelle Meyer.
One of the minor tragedies of the mid-twentieth-century American hegemony is that we listen to Glenn Gould, rather than to the European women who outshine him – Maria Tipo, and, here, the shimmering Marcelle Meyer.
D. L. Dusenbury 